big moods // big thanks.

As this year comes to a close, I can’t help but feel indebted to the universe. This January will mark 7 years living in Tennessee. I remember the first 4, 5.. let’s be real 6- were so hard for me. I struggled to make the art I really wanted to make. Getting people to take me seriously was even harder (still feels hard sometimes) but I remember in 2015 I made a vow to myself. I was going to make exactly what I felt called to, and I wasn’t going to care how hard I had to fight to do it.

That kind of proclamation to myself was one of the best things I’ve ever done. Growing up, and living back home I never had to fight to be who I was. I was a misfit and an outcast but that was me. I never cared what anyone thought about who I was… Or my rain boots.

Moving away changed that. I tried new things, branched out in an attempt to connect. I was incredibly lonely. I fought the dark times hard.

Finally, I stopped trying to connect with people who didn’t understand me and didn’t care to. I started really creating the images I wanted, the ones that haunted my dreams during the night and the day. I clawed my way out of the hole I had buried myself in. I took the time to hone my craft on a technical level. I wanted to learn light so I could make exactly what I envisioned. I never stopped working.

2018 came full circle. The people that found me, and continue to find me (and want to work with me -massive bonus) are MY people. I’m pushing boundaries, I’m challenging all things. I feel that I am honoring my true self when I create in this way.

But there is this heaviness, this debt that I feel. These people that I have in my life, how can I ever show how grateful I am for their existence? How all the sadness and loneliness those first 5 years seems so distant, and mythical. I wish I could tell myself in those times how temporary it would be.

This weekend was amazing, and I really am thankful for all the opportunities that have been coming my way. Saturday was one of those gigs that I got to prove what I’m capable of. Someone took a chance and trusted me fully. The results are easily my favorite studio work to date. -Gallery Here-

The images from Sunday, I’ve had planned on paper for months. Being able to see this vision come to fruition is a high I’ll be on all week. I’ll be sharing those later today and some insight into the session.

To be able to connect with the people I photograph on multiple levels adds another dimension to the imagery that I can make. I’m so lucky I’ve been able to attract people who maybe don’t see everything exactly like I do, appreciate how I look at the world and the art that I make. It takes two to tango, and lately man, my dance floor has been full and poppin’.

big moods//big thanks.

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Thrifted Halloween Costume Collaboration with Eclectic Mo's

I partnered up with Morgan of Eclectic Mo’s (and Sonder Finery, AND Hemp & Mortar.. talk about boss lady) for a thrifted Halloween costume project. We share a love of vintage clothing as well as an obsession with Wes Anderson visuals. When I approached Morgan about putting together a couples costume from Moonrise Kingdom I was met with lots of enthusiasm. Morgan does the styling for some of my bigger projects and all of our classes, workshops and styled shoots we put on as Create & Collaborate. She’s an absolute wiz at this, so I asked her a couple questions about what she does and why she loves it.

Costume Breakdown

Suzy -Every item was found at goodwill at different times minus the collar which was made from 2.99 felt fabric from hobby lobby with the 40% coupon. The red beret was something Morgan took from her Sonder Finery stock.

Sam - Shoes and shorts were taken from personal closet, and everything else was from city thrift. The patches we ordered online & the hat was a neighbors from childhood. 

Cost was under $30 for all

D: Where do you start on a project/assignment like this?

M: When doing a conceptual or themed shoot I usually start by brainstorming and writing down key components that I will need to piece together the look. Since this was a very specific look I did research on what the characters wore and thought how could I add a little Eclectic Mo twist to it? however subtle, that's where the polka dot's come to play!


D: What are your favorite places to hunt/thrift?

M: Where - usually goodwill or city thrift but there are a few sweet spots in different cities I go to as well. But auctions are my favorite if I'm buying in bulk.


D: what is the best part of putting together a thrifted costume vs buying one?


M: Gosh this is tough. I'm not sure I narrow down what my favorite is but I'll tell you in general why I think it's the best. First, piecing together a thrifted costume is SO better for the environment. Apart from that when you thrift something themed it broadens your creativity, paves the way to create something completely unique with your interpretation of the theme. Thrifting costumes is also so much better on your pocket book. ..and who doesn't love thrifting?

D: What is the most challenging aspect of these projects?

M: When they are so specific it can be hard to find exactly what you're looking for. It takes patience & sometimes compromise.


D: Do you have any tips for others in their journey to the perfect thrifted costume?


M: Be patient with finding the perfect pieces. Keep your mind open to the ways you can put your creative touch in every detail!